John Carpenter’s 1982 horror masterpiece The Factor is likely one of the hottest movies on this planet of alternative movie posters. It’s an ideal cross-section of simply in style sufficient, but additionally simply obscure enough, that just about any collector would contemplate shopping for it as a result of basically everyone likes it. The issue then turns into how do you do one thing new? What can an artist do with The Factor that 5 others haven’t carried out already?
Artist Anthony Petrie has cracked the code. He’s made a shocking new poster for The Factor known as “If It Takes Us Over, Then It Has No Extra Enemies, No one Left To Kill It. And Then It’s Gained,” and it’s not like any Factor poster you’ve ever seen earlier than. It’ll be accessible by way of Vice Press on Thursday, September 19 in three editions, all of that are 24 x 36 inches. First is the common version of 150 which prices £50.
Subsequent is the variant version of 75 which glows at the hours of darkness. It prices £55.
Lastly is a multi-layered acrylic panel, in an version of fifty. It prices £135 however, within the beneath slideshow, you may see why.
Click on to open Slideshow
Petrie developed the poster with Vice and Bottleneck Gallery and it’ll be on sale at this link at 1 p.m. ET on Thursday. Beneath, we caught up with the artist who answered just a few questions concerning the poster by way of e-mail.
Germain Lussier, io9: There are quite a lot of AMPs for The Factor however this one is so distinctive. How did you give you the thought and have been you particularly seeking to do one thing that stood out from the pack?
Anthony Petrie: I at all times attempt to discover concepts which may be extra loosely tied to a property. I feel it’s high quality to be on-the-nose for lots of posters, however The Factor as a film is so excessive idea, I didn’t wish to pull from the plain (snow, canine, Kurt Russell, and so on). The sensible results in that film are so plausible and effectively executed, that is sort of my homage to that, in addition to how iconic the post-mortem scene was.
io9: Did the thought of the creature in a physique pose any challenges, design-wise?
Petrie: There’s at all times a problem of a poster being too busy when there’s quite a lot of element and complexity, after which dropping a key film factor within the chaos. It’s a part of the rationale why I made a decision to forgo an in depth background and actually give attention to the primary picture. The creature on this case is the smallest a part of the picture, nevertheless the damaging house surrounding it actually helps draw your consideration to the necessary half.
io9: Was it troublesome to determine a spot for the title therapy?
Petrie: The title therapy was actually a sticking level for this one for all concerned events, re: needing the branding to be seen, and so on. Once more, I wished to neglect the plain alternative of slapping the official brand on prime of the artwork, so I made a decision to make it a part of the idea. Hiding the brand in plain sight. The large letters are actually hiding behind the human physique, peeking out from behind it, onerous to see from a distance due to the define, however as you look nearer you’re capable of see it’s THE THING.
Once more, Anthony Petrie’s The Factor goes on sale at 1 p.m. ET on Thursday, September 19. Read more about it here.
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